Wealthy Kidz’s vivid melodies and boy band vibe. Yung L.A.’s slurred whisper-sing and questionable mohawk. Younger Dro’s nation membership vogue and means of describing his whips and jewellery with the readability of an image guide: “Chevy appear to be Almond Pleasure,” “Wrist pinker than Miss Piggy.” Travis Porter’s easy-t0-memorize flip up anthems. J Cash’s imaginative and prescient of the long run the place he fought UFO-flying martians from stealing his swag. Bubbly, digitized synths and sputtering lure drums. DJ tags and button-mashing sound results out of the ass. It was Atlanta’s futuristic period, a era of flashy goofball rappers who peaked within the late 2000s and early 2010s and made their days of automobiles, garments, women, strip golf equipment, medication, and crime sound like a fantasy that came about at purchasing malls on the moon.
In truth, loads of the mixtapes had been hit-or-miss studio session dumps with half-assed themes. (I’ve come round to Younger Dro’s skits on Black Boy Swag, White Boy Tags the place he appears like he’s doing a Invoice & Ted impression.) And you actually needed to comb by way of to seek out the gems, however they had been extra concerning the upbeat temper, the lingo (Kwony Money used “peons” prefer it was the form of insult you can by no means get well from), and music that hit higher at a celebration the place everybody knew the phrases. Earlier this yr, I met up with SahBabii in Brooklyn for an interview for this column, and, for many of our dialog, he was pleasant but stoic and tight. His temper shifted, although, once we spoke about Atlanta’s futuristic period, and abruptly he sank comfortably into his chair and had a twinkle in his eye. The reminiscences that flooded again to him had extra to do with the communal vitality than particular person songs: “For those who had been there, you can simply really feel it. I used to be at Metro Skates. I used to be on Cleveland Ave. I went to Sylvan Hills Center Faculty and Booker T. Washington Excessive Faculty. I miss these instances. It was free. No one anyplace else was doing it like that. In Atlanta, all the children had been making music collectively.”
However don’t get it twisted: the songs themselves nonetheless kick all of it off. Proof: Pluto and YKNiece’s “Whim Whamiee,” one of many largest and most inescapable viral rap hits of the yr, feels prefer it’s bringing that feel-good period of Atlanta rap again. Is it as a result of the beat is a flip of Gutta and OJ da Juiceman’s Zaytoven-produced “Wham Bam”? Not likely; that authentic monitor is meaner and muddier than loads of the futuristic stuff, even when Zaytoven’s funk sparkles like daylight reflecting off the ocean. As a substitute, it’s actually as a consequence of how foolish, sloppy, and natural Pluto and YKNiece’s connection appears to be, like they only occurred to be collectively one evening with loads of bottles and stumbled right into a recording sales space. The background noise, stuffed with muffled singing alongside and means too loud ad-libs, makes the entire thing sound prefer it was achieved in a single wild-ass take.
